Organisations & Organisations (multi-year) 2021-22
The Minister for the Arts has approved funding of $3 788 462 for 30 arts organisations in the latest rounds of Arts Tasmania’s Organisations and Organisations (multi-year).
This support will enable organisations to deliver high quality arts activities and engage audiences and local communities across the state in 2022 and beyond. It will provide vital professional development and employment opportunities for over 400 Tasmanian artists and arts workers and aid the ongoing recovery efforts of the cultural and creative industries.
Funding recommendations were made by expert peers drawn from the Cultural and Creative Industries Expert Register.
Grants
RECIPIENT | FUNDS | ACTIVITY |
---|---|---|
Archipelago Productions Pty. Ltd. | $150 000 | 2022 program |
Australian Plays Transform | $85 000 | 2022 program |
Big hART Inc. | $150 000 | 2022 program |
Blue Cow Theatre | $180 000 | 2022 program |
Constance ARI | $68 299 for 2022 $71 928 for 2023 | 2022 & 2023 programs |
Contemporary Art Tasmania | $235 000 | 2022 program |
Design Tasmania Ltd. | $50 000 | 2022 program |
DRILL Performance Company Inc. | $24 222 | 2022 program |
Express Media / Voiceworks Magazine | $6 025 | 2022 project funding for Voiceworks launch and engagement |
Island Magazine Inc. | $156 870 | 2022 program |
Junction Arts Festival | $64 478 | 2022 program |
KickstART Network | $159 873 | 2022 program |
Mature Artists Dance Experience (MADE) | $100 000 | 2022 program |
Mudlark Theatre Inc. | $200 000 | 2022 program |
Music Tasmania | $50 000 | 2022 program |
Nayri Niara | $117 704 | 2022 program |
paper on skin Ltd. | $126 990 | 2022 project funding for paper on skin |
Performing Lines Tasmania | $200 000 | 2022 program |
RANT Arts Ltd. | $183 000 | 2022 program |
Sawtooth ARI Inc. | $100 000 | 2022 program |
Second Echo Ensemble | $134 500 per annum for 2022 & 2023 | 2022 & 2023 programs |
Stompin Inc. | $101 968 for 2022 $119 788 for 2023 | 2022 & 2023 programs |
Tasdance Ltd. | $240 000 per annum for 2022 & 2023 | 2022 & 2023 programs |
TasWriters Inc. | $50 000 | 2022 program |
Terrapin Puppet Theatre Ltd.* | $250 000 per annum for 2022 & 2023 | 2022 & 2023 programs (existing agreement) |
The Story Island Project | $85 828 per annum for 2022 & 2023 | 2022 & 2023 program |
The Tasmanian Youth Orchestra Inc. | $75 000 | 2022 program |
The Unconformity | $160 429 for 2022 $180 429 for 2023 | 2022 & 2023 programs |
Theatre North Inc. | $181 000 | 2022 program |
Van Diemen's Band Inc. | $102 276 | 2022 program |
*National Performing Arts Partnership Framework tripartite agreement with Terrapin Puppet Theatre Ltd., Arts Tasmania and the Australia Council for the Arts
Feedback from the expert peers
The peers provided the following feedback for current and future applicants:
- Many applications were written in complex language which made assessment difficult for peers from different artform backgrounds.
- The peers recommended applicants write in plain language and proofread applications thoroughly before submitting.
- Successful applicants clearly linked the proposed activities to the organisation’s overarching goals, vision or mission.
- The peers reminded applicants to make sure that proposed activities were achievable with the time, money and resources available.
- Activities that were well planned and realistic were more likely to be supported.
- Strategic plans or guiding documents should include a full organisational chart that is current at the time of submission – this allows peers to have a clear understanding of the roles and responsibilities of key personnel and speaks to the viability of the activities.
- Stronger applications included evidence of clear methods for evaluation, impact measurement and data collection (or evidence of plans for addressing and developing in these areas).
- The peers were supportive of applications that included appropriate artist wages and fees, based on industry wages.
- Budgets should be clear and detailed and include wages, fees and superannuation relevant to all roles mentioned in the application.
- The peers recommended that applicants seeking support for complex activities or multi-year funding use the budget notes section to show any additional information or commentary or provide a detailed budget as an attachment.
- The peers encouraged applicants to speak to Arts Tasmania about completing an application budget if they were unsure about the level of detail to include.
- Applications with a clear focus on and commitment to accessibility, diversity and inclusivity at all levels (from board and leadership roles through to participants and audiences) were strongly supported in this round.
- Organisations were encouraged to develop Disability Action Plans, Reconciliation Action Plans and Equity Action plans if relevant to the organisation’s activities and strategic direction.
- Applicants were encouraged to consider accessibility in relation to a range of issues – not just physical access.
- Evidence of consultation with and letters of support from groups or organisations working in these areas was recommended by the peers, if relevant to the proposed activities.
- Organisations undertaking activities with Aboriginal and Torres Strait Islander communities and/or cultural content should clearly explain the partnerships or relationships in place and include plans for consultation or relevant letters of support.
- The peers recommended that applicants talk to Arts Tasmania’s Program Officer – Aboriginal Arts if planning to involve Tasmanian Aboriginal cultural content or Tasmanian Aboriginal artists in an activity.
- The peers reminded applicants to not exceed the guidelines for links and attachments.
- All support material provided should be concise, relevant, and targeted to the application.
- Links to support material should be double checked to confirm they are working.
Peer assessors
The following peers assessed in Arts Tasmania’s July 2021 round (including Artsbridge, Community Arts and Cultural Development [Arts Organisations], Community Arts and Cultural Development [Individuals and groups], Individuals and groups, the Live Performance Reactivation Program, Organisations, Organisations [multi-year] and Youth Arts Organisations):
- Alexandra Morse
- Astrid Wootton
- Belinda Kelly
- Bert Spinks
- Bhuvana Veeramani
- Bianca Templar
- Caine Chennatt
- Cali Prince
- Christian Ramilo
- Dawn Oelrich
- Emma Bugg
- Evan Carydakis
- Graeme Miles
- Greg Leong
- Harry Edwards
- Isabella Stone
- Jabra Latham
- Jane Edwards
- Jay Bushby
- Jeff Hockley
- Jillian Mundy
- Kate Gordon
- Keith Dougall
- Kim Lehman
- Kiri Morcombe
- Lasca Dry
- Luana Towney
- Lucie Cutting
- Lucy Pitt
- Matthew Lamb
- Rachel Small
- Raimondo Cortese
- Robert Flehr
- Ruth Langford
- Sarah McCormack